RED GEMINI 5K S35 Cinema Camera
RED GEMINI 5K S35 Cinema Camera
Unleash Cinematic Brilliance in Any Light
The RED GEMINI 5K S35 stands at the pinnacle of digital cinema technology, embodying the perfect blend of high-resolution performance and exceptional low-light capabilities. Designed for filmmakers who dare to push the limits, the GEMINI 5K S35 brings your creative vision to life with unparalleled detail, color, and dynamic range.
Features at a Glance:
- Dual ISO Sensitivity: The GEMINI 5K S35’s revolutionary Dual ISO technology offers phenomenal performance in both well-lit and low-light environments. Maximize your creative potential by capturing crisp, noise-free images under challenging lighting conditions.
- 5K S35 Sensor: Experience the stunning resolution and image quality that RED cameras are known for. The GEMINI’s Super 35mm sensor captures 5K footage with over 16.5 stops of dynamic range, ensuring detailed highlights, deep shadows, and vibrant colors.
- High Frame Rate Shooting: Push the boundaries of visual storytelling with high frame rate recording up to 96fps at 5K. Create breathtaking slow-motion sequences without sacrificing resolution or quality.
- REDCODE RAW and ProRes Recording: Choose the format that fits your project. With REDCODE RAW, you get unparalleled flexibility in post-production. For projects requiring quick turnaround, ProRes offers convenience without compromising on image quality.
- Compact and Modular Design: The GEMINI 5K S35’s compact body is built for versatility, making it ideal for handheld, gimbal, and drone cinematography. Its modular design allows for easy customization with a wide range of accessories and modules.
- Intuitive User Interface: RED’s intuitive touchscreen display and user-friendly interface ensure that you can focus on creativity rather than complexity. Adjust settings quickly and monitor your footage with ease.
- Professional Connectivity: Equipped with comprehensive I/O options, including HDMI, SDI, and USB-C, the GEMINI 5K S35 integrates seamlessly into any professional production workflow, ensuring that you’re always ready to capture the action.
| Items | Qty |
| Camera Brain | 1 |
| DSMC2 V-Lock Expander Module | 1 |
| Lens Mount (PL, Canon, or Nikon) | 1 |
| 7″ Touch LCD | 1 |
| Bomb EVF | 1 |
| RED Mini Mags – 512gb | 3 |
| REDstation Cardreader | 1 |
| V-Mount or Gold Mount Battery Plate | 1 |
| DSMC2 Top Handle | 1 |
| DSMC2 Tacticle Top Plate | 1 |
| DSMC2 GEMINI | |||||
| SPECIFICATION | DESCRIPTION | ||||
| Sensor Type | GEMINI® 15.4 Megapixel Dual Sensitivity CMOS | ||||
| Effective Pixels | 5120 x 3000 | ||||
| Sensor Size | 30.72 mm x 18.00 mm (Diagonal: 35.61 mm) | ||||
| Dynamic Range | 16.5+ stops (Both Sensitivities) | ||||
|
Max Data Rates
|
Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) | ||||
| Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) | |||||
| REDCODE® RAW Max Frame Rates1 | 75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
||||
| Playback Frame Rates (Project Time Base) | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions | ||||
| Best Available REDCODE Settings1 | 3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps |
||||
| REDCODE RAW Acquisition Formats2 | 5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
||||
| Apple® ProRes | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
||||
| Avid® Codecs | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
||||