Sony FX6
Sony FX6 Full-Frame Cinema Camera
Capture the World in Unparalleled Detail with the Sony FX6
Elevate your filmmaking to new heights with the Sony FX6 Full-Frame Cinema Camera, a marvel of engineering designed to bring cinematic vision to life. As part of Sony’s renowned Cinema Line, the FX6 blends high sensitivity, wide dynamic range, and powerful color expression, ensuring outstanding image quality that meets the demands of today’s content creators.
Key Features:
- Full-Frame Sensor with High Sensitivity: At the heart of the FX6 lies a state-of-the-art full-frame sensor, capable of capturing breathtaking 4K imagery with exquisite detail, color fidelity, and remarkable low-light performance. Its 15+ stops of dynamic range unveil nuanced shadows and highlights, making every shot a masterpiece.
- Compact and Lightweight Design: Redefining the boundaries of form and function, the FX6 boasts a compact, ergonomic body that’s tailor-made for handheld shooting, gimbal rigs, and drone aerials, without compromising on robustness or features.
- Advanced Autofocus System: Featuring Sony’s fast hybrid AF system, the FX6 ensures precise focus on your subjects with real-time Eye AF and Face Detection, allowing you to concentrate on the creative aspects of your shoot.
- Versatile Recording Formats: The FX6 offers a range of recording formats, including 10-bit 4:2:2 XAVC-I and 16-bit RAW output, catering to various production needs from documentaries to commercials and feature films.
- S-Cinetone™ Color Science: Inspired by the color science of the Venice Cinema Camera, the FX6 delivers beautiful skin tones and natural mid-tones, straight out of the camera, reducing the need for post-production color grading.
- Modular Design for Custom Setups: With its modular design, the FX6 can be easily customized with accessories and rigs, making it a versatile tool for all types of productions.
Items | Qty |
Camera Brain | 1 |
DSMC2 V-Lock Expander Module | 1 |
Lens Mount (PL, Canon, or Nikon) | 1 |
7″ Touch LCD | 1 |
Bomb EVF | 1 |
RED Mini Mags – 512gb | 3 |
REDstation Cardreader | 1 |
V-Mount or Gold Mount Battery Plate | 1 |
DSMC2 Top Handle | 1 |
DSMC2 Tacticle Top Plate | 1 |
DSMC2 GEMINI | |||||
SPECIFICATION | DESCRIPTION | ||||
Sensor Type | GEMINI® 15.4 Megapixel Dual Sensitivity CMOS | ||||
Effective Pixels | 5120 x 3000 | ||||
Sensor Size | 30.72 mm x 18.00 mm (Diagonal: 35.61 mm) | ||||
Dynamic Range | 16.5+ stops (Both Sensitivities) | ||||
Max Data Rates
|
Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) | ||||
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) | |||||
REDCODE® RAW Max Frame Rates1 | 75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
||||
Playback Frame Rates (Project Time Base) | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions | ||||
Best Available REDCODE Settings1 | 3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps |
||||
REDCODE RAW Acquisition Formats2 | 5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
||||
Apple® ProRes | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
||||
Avid® Codecs | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |